Wednesday, 19 December 2012

Investigating Generic Conventions


I watched the trailer to a few movies and began thinking deeply about the different elements that make them successful. I analyzed the opening briefly to show what it gives away and what is noticeable.

ELEMENT
FILM: The Bourne Identity
 GENRE: Thriller-Action, Crime, Man on The Run

NARRATIVE
(Typical storylines and structures used)
 The main narrative seems to form around a secret agent who has the skills of ‘a dangerous man’. We are immediately given the impression that it is a hybrid of a psychological as he has no memory which would play a significant role in the narrative. We can see there is a structure based around a ‘man on the run’ who is trying to get away from government agency.

ICONOGRAPHY
(Things we expect to see)
We are constantly shown technology devices which suggest that there will be a lot of it used, especially when tracking Bourne down. We also expect to see well captured chase scenes, car getaways and a few loves scenes with the build up in relationship between the two characters.

CHARACTERS
(Typical characters who drive to story forwards)
The main character in this film is Jason Bourne. There is also a woman who travels with him. However, the trailer does not tell us her name or a lot about who she is which makes us want to find out. There is also a large group of the government agency who all come together to capture Bourne.

CAMERA WORK
(Typical cinematographic style)
The Camera work throughout the trailer shows quick shots with excellent match on action. It suggests that there will be similar or more versatile shots in the rest of the film. We see that the camera is constantly moving and focusing on him to suggest that he is being watched. It has a promising mix of camera angles and shots.

SETTING
(Typical locations used)
The settings shown in the trailer suggest that they are unknown and not what you usually tend to see in big mainstream films. They have however used the locations Zurich, small areas of France and Paris.

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